Gelitin
Prosopopoeia
Massimo De Carlo, London
The exhibition Prosopopoeia questions the meaning of being one and at the same time being four and then again fourhundred, when fourhundredandone steps in and says “really?”!?
Why have one idea when you can have ten?
photo: Robert Glowacki
photo: Robert Glowacki
photo: Robert Glowacki
photo: Robert Glowacki
photo: Robert Glowacki
photo: Robert Glowacki
Prosopopoeia, 2015,
Ex. Papier-mâché on MDF board and 2 glass eyes
204 x 139 x 29 cm
Flower Painting with Key, 2015,
Ex. Watercolour, plaster, plasticine, oil paint, 2 keys and lock
107 x 67.5 x 6 cm
Head + Shoulders 2, 2015,
Ex. Plaster and glass eyes on wood pedestal
Sculpture: 48 x 34 x 28 cm, Stool: 100 x 61 x 61 cm
Head + Shoulders 1, 2015,
Ex. Plaster and glass eyes on polystyrene plinth
Sculpture: 49 x 26 x 20 cm / Plinth: 100 x 55 x 42 cm
Der Die Das, 2015,
Ex. Wood, mirror, glass eye
63 x 47 x 7.5 cm
Cosset Flower Painting, 2015,
Ex. unique Papier-mâché with pigments on board canvas
205 x 146 x 6 cm
Madonna col Bambino, 2015,
Ex. unique Watercolour, plaster, plasticine, enamel on wood
130 x 187 x 25 cm
Hirnschlag, 2015,
Ex. unique Cotton underwear, wood, plaster, string and enamel
93 x 80 x 7 cm
Whit Whitout, 2015,
Ex. unique Plaster and teeth
22 x 37 x 11.5 cm
Untitled, 2015,
Ex. unique Bronze
82 x 106 x 47 cm
KLO, 2015,
Ex. unique Glazed ceramic
78 x 52 x 70 cm